Completed Stained Glass Pieces

Joel Stickley | Commissioned Poems

Below are the poems written by Joel Stickely in response to a selection of church buildings that are part of the ArChWay Project.

GOLTHO

At Goltho, a ploughed field bulges –

divulges its secrets one pottery shard at a time.

There was a village here.

Then, for six hundred years, just a church.

The new bell lurches in the wind,

headstones lean in at strange angles –

a tangle of brambles and branches and epitaphs.

“THE COMING OF THE LORD DRAWETH NIGH.”

The sky reaches down and smooths the edges of the bricks.

Fourteen forty-six was a bad year.

But, back before the crops failed,

there was a village here.

BURWELL

The rabbits dig up human bones

and undermine the church;

it perches on the hilltop like a crow.

A row of angels gather on the ceiling,

kneeling upside down in silent prayer.

They stare at the sloping floor,

hoping more than anything that this place stays up.

At the top of the slope,

with his back to the sun,

St Michael looks on and waits for heaven to be restored

by the fire of his sword and the strength of these stones.

And, in the unexplored warrens below,

the rabbits dig up human bones.

NORTH COCKRINGTON

Nineteen paces lie between them.

Both have seen better days,

but the way he has his back turned

has earned a thousand years of mistrust.

As the dust gathers inside them both

and the undergrowth closes in,

she regards her twin with suspicion –

it’s an admission that he has aged a little better.

Trees tear open a fenced-off plot.

The graves squat in solid opposition;

their positions cannot change.

And, strange as it seems for those who have seen them,

these two are closer than we can know –

nineteen paces lie between them.

WAITHE

One day, the trees will take it back;

they stand packed in like undertakers in a lift.

Leaves drift nonchalantly around the door.

Eight hundred years – maybe more –

but they are patient. They have the time.

They have many generations and the wind on their side.

The saint himself was a military man,

so the bricks and tiles stand firm

and have a certain martial bearing.

But sharing the lift, quiet as you like,

are all these undertakers,

dressed root to tip in black.

There’s no way not to know it –

one day, the trees will take it back.

SALTFLEETBY

There is a quiet here.

As you steer carefully down the causeway,

a drop on either side,

it hides behind the trees, the gate

and hundreds of years. There is a quiet here.

The tower leans gently to the west;

the rest of the building just sits.

You know that it’s been waiting for you.

That weathered crest above the door

is more than just a decoration.

With some hesitation, you walk the path and step inside.

It feels as if something is drawing near.

Not quite a thing that you can name, but just –

there is a quiet here.